Wednesday, March 17, 2010
perfect as is
left: PerfectFilm(1986), Ken Jacobs,
and above: Beirut Outtakes (2007) by Peggy Ahwesh
We've spent some time on readymades and gave ourselves permission to think about found films as found objects. We watched Works and Days (1969) by Hollis Frampton, What Makes Day and Night (1998) by Yours Truly and of course Perfect Film by Ken Jacobs. But we didn't stop there -- we spent some time with 3 very recent and very short found footage works pointing to the African American experience from various archives as unearthed by Kevin Jerome Everson; check out his Ten Things About Vegas here. And finally we watched two of Peggy Ahwesh's films dealing with the found deterioration of film material to very differnt ends: the entertaining and political Beirut Outakes from 2007 and her outrageous 1994 fem/porn/tango piece The Color of Love .